Frail Deeds of Strangers in a Worn Down Night, 2012
site intervention in St Kilda, Melbourne
FALLOW: between abandonment and rebirth
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Frail Deeds of Strangers in a Worn Down Night, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
sculptural installation exploring rites and rituals concerned with traditional wake practices and ways of saying goodbye
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
Until The Hand Tells The Bells To Bury The Day, 2012
The Endless Return, 2012
- developmental work presented at
SAWTOOTH ARI, Launceston
during residency at
University of Tasmania,
Academy of Arts
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
- working drawings
The Endless Return, 2012
- working drawing:
streamers between Melbourne and Tasmania
The Endless Return, 2012
- working drawing:
my view and map of well trodden paths in Melbourne
The Endless Return, 2012
- working drawing:
my view and map of well-trodden paths from childhood farm in Tasmania
The Endless Return, 2012
- bronze map section:
representing the limits of my known universe in Tasmania at age 7
The Endless Return, 2012
- entrance to room with raised map representing the mouth of the Tamar River, Tasmania
The Endless Return, 2012
- bronze map section:
representing the limits of my immediate universe in Melbourne, including Port Phillip Bay and inner-northern suburbs
The Endless Return, 2012
- entrance to room with raised map representing Port Phillip Bay
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
The Endless Return, 2012
Making Promises To Eternity in the Shadow of Mountains, 2012
- from group exhibition
ODJET: everything touches everything
- International Studio, Serbia
Making Promises To Eternity in the Shadow of Mountains, 2012
- small models of Serbian Spomenik's (monuments) and ruins on the Australian Landscape
Making Promises To Eternity in the Shadow of Mountains, 2012
- pastel and charcoal drawing triptych
Making Promises To Eternity in the Shadow of Mountains, 2012
- Spomenik model
CARMEN REID | VISUAL ARTIST